Celebrating the end of this year and 6 months of daily coffee-watercolor paintings, The Coffee Machine, with a seleciton of 60 favorite paintings. They can make great Christmas or personal gifts!
Sunday 2.12.18 / 2-6pm / Krähbülstrasse 58 Zurich
Celebrating the end of this year and 6 months of daily coffee-watercolor paintings, The Coffee Machine, with a seleciton of 60 favorite paintings. They can make great Christmas or personal gifts!
Sunday 2.12.18 / 2-6pm / Krähbülstrasse 58 Zurich
Painting at Knoerle&Baettig during their annual client event.
Saturday December 1st, 2018. By invitation only.
www.Knoerle-Baettig.com
Second round of L’immortelle du Monde by Robert Filliou.
With Guillaume André, Michel Collet, Baptiste Gaillard, André Eric Létourneau, Stanislas Pili, Klara Schilliger, Emile van Helleputte, Alicia Velázquez, Valentine Verhaegue, Michaela Wendt, Miao Shuye Zhao.
Part of La République Géniale. Curated by: A. Binder, V. Maly, S. Merten, S. Renz, P. Sansano, R. Ziegler.
Production Kunstmuseum Bern and Dampfzentrale Bern.
The works 407 (performance) and The Coffee Machine are part of the group exhibition SOLID, at Knoerle Baettig contemporary art gallery.
Curated by Annita Baettig and Merly Knoerle.
With artists: Muriel Baumgartner, Dominik Heim, Olga Titus, Alicia Velázquez
26 October – 24 November 2018
While Making It Together has made it to London, and is wrapped now and hosted by Table.
While Making It Together keeps absorbing donated objects - through performative encounters - in all places it goes.
While Making It Together in London, part of the exhibition Adapt-r.
Ambika P3, University of Westminster, London
35 Marylebone Road, London NW1 5LS (Baker Street Station)
27 November to 18 December 2016; Daily, 10am – 6pm
Admission: Free
Information:
T: +44 (0)20 7911 5876
I: www.p3exhibitions.com
While Making It Together became a communal sculpture, a comunal moment. Not silent as envisioned, but a fun wrapping party!
Thank you to so many engaged colleagues who picked, threw and weaved those pink-thread spools.
While Making It Together, social act of making, at Adapt-r exhibition and PRS (Practice Research Symposium) plenary session.
AmbikaP3, University of Westminster, London
Light coming from two sides, a warm, high-ceilinged and open room.
An ocean of chairs in front of me.
And another one, this one wrapped in hot pink thread, right next. Hosting 9 donated personal objects - While Making It Together.
As I was one of the first-morning presenters, a reduced and generous audience.
A fantastic panel: Katharine Herron (Westminster), Vivian Mitsogianni (RMIT) João Barbosa Sequeira (Lisbon), Claus Peder Pedersen (Aarhus), Arnaud Hendrickx (KU Leuven) and Dimitri Vangrunderbeek (KU Leuven LUCA), chaired by Johan Verbeke (KU Leuven).
I chose to, inspired by Hans Ulrich Obrist, interview WMIT. And, while I wished to learn from her: meaning, tacit knowledge, intentions and connections to the rest of my practice, I ended up being the interviewed one.
This methodology was well received and got encouraged to be explored further, as method for practice-based research.
November 2016
While Making It Together to be featured in 3 upcoming events:
While Making It Together will be part of the large group exhibition Adapt-r.
"This ground-breaking and challenging exhibition is the conclusion of a four-year international research initiative, funded by a major EU grant, and aims to provide rare insights through an extraordinary range of 35 creative practitioners from around the globe." (excerpt from AmbikaP3 announcement, full content here)
Ambika P3, University of Westminster
27 November to 18 December 2016, Daily, 10am – 6pm • Admission: Free
Exhibition Opening Wednesday 23 November 2016 18:30 - 20:30
After an intimate series of making moments with each of my Brussels colleagues at a time, the current sculpture travels to London, where I invite every person part of Adapt-r program to participate in a social performative (and silent) act of wrapping. Together we will wrap the current, chair-sized sculpture, to its temporary home during AmbikaP3 exhibition: a table.
University of Westminster, 35 Marylebone Road. NW1 5LS
Sunday 27 November, 4.15pm
Right after the plenary session of Practice Research Symposium.
I will be giving my third PhD in-progress presentation in the upcoming Practice Research Symposium. This time my focus will be While Making It Together, one work to be the lens from which to look through my practice.
University of Westminster, 35 Marylebone Road. NW1 5LS
Saturday 26 November, 9.30am
"Please, don't cut all of your hair". A tiny old lady came in just to give me her beauty advice. One Hair One Purpose. Keeps going. Week 3.
Another public daily setting - the window of a centric hairdressing salon. Transformation to a place where transformation, daily and lightly, is constantly happening.
It was the most naturally fitting performance experience of all.
OHOP at K-Styling hair salon.
Special thanks to stylist Anabel Blanco.
While obsessively thoughtful of time, present in every work I produce, I keep miscalculating it. Or, maybe, Time is the one miscalculating me, or my hair, for this particular matter.
3 days and 15 hours after the performance One Hair One Purpose at Corner College, with much of that hair still up on its place, and during the very performance, I had to make a quick decision: cut it all off right here and now? Or continue the performance and the cutting further?
And, while cutting, twisting, ringing and tying up, while lights, cameras and pairs of eyes were expectant on me, the decision came: the slow act of transformation must go on.
And if this act of transformation comes to a daily environment?
One Hair One Purpose, Week 2, at UNO Partner Architecture & Development.
With special thanks to partner Sebastian Schaeffer.
Thursday 29
With final PUBLIC EVENT between 20-21h
PERFORMANCE is taking place today, Thursday 29th, in
Corner College, 16-21h. Open to the public.
{when live streaming is not correct on this page, please go to http://www.corner-college.com/}
Wednesday 28, from 12-17h (CET)
Tuesday 27, from 12-17h (CET)
All photos, and assistance during this piece, taken and performed by Alicia Olmos
One Hair One Purpose in Corner College, curated by Dimitrina Sevova. Corner College Collective are Dimitrina Sevova & Alan Roth.
OHOP concept by Alicia Velázquez + creative collaboration of Tarek J. Waked
What is normal?
How can we intervene in our daily rituals, and what do we get when we do it?
These are the questions from Supernormal - matter strategies for the daily intangible - part of a 5-day interdisciplinary workshop (Z-Module) organized by Monica Gaspar Mallol in Zurich's School of Arts and Design.
We invited a group of 14 students from interaction, product design, art practice and theory and music to observe the reality of their daily rituals in the school environment, and perform an action.
As a result, we had a horse climbing up and down Toni Areal's main entrance's stairs playing with its design and proportion, blockages in the main indoor stair (cascade) which revealed (unspoken) codes of conduct, a set of written questions about the act of going to the toilet around the public areas in the building, and a sound performance inviting to care and touch for the bathroom doors.
Opening up the workshop week for interdisciplinary students, and finishing up with a scream, I introduced my recent work, between two screens and behind one of the freshly "released" Red Bodies. Invitation from Art & Contemporary Jewelry curator Mònica Gaspar Mallol.
Zürcher Hochschule der Kunst
Can "material sex" inform architectural design process?
One of the thrown set of questions during the presentation of my practice (which is the subject of my current PhD research) during my exhibition/presentation at ARM - Architecture Research Moments - event in KU Leuven School of Architecture in Brussels.
Honored to have had a great panel of professionals from LUCA School of Arts, ZHAW in Zurich, KU Leuven Architecture - Sint Lucas and more.
For my first PhD biannual presentation I invited to enter my intimate space, to share a historical view on my practice since my early architecture times.
With a double projection, textile bodies on table and scattered in the room, plus a large background timeline map full of postcard-sized images (which decided to fall two days prior to the event) I unfolded for the first time my practice dedicated to reaching down to emotions, with extended emphasis on the last two years of intimacy with materials.
My PhD is a practice-based research, which I follow as Adapt-r fellow (Art Design Architecture Practice Training Research) with university of KU Leuven Architecture. Adapt-r is a partnership project between seven European universities plus RMIT (Royal Melbourne Institute of Technology).